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MEDITATION AND ECSTASY

Meditation is, surely, the power is more precious than human beings because it is the only way to achieve the higher levels of ecstasy. What is ecstasy? It can be defined as the third state of consciousness, a form of perception so definite, such as sleep and wakefulness. Is a state that has its own laws, when we feel, know without doubt that we are there.

Ecstasy is characterized because it produces a feeling of absolute survival. Suddenly, all the dualities that give content to mind melt in a direct perception of the unit. Interpretation is a break, a journey of consciousness beyond the ego and the realm of notiempo, where the laws of matter are canceled and only a shiver of pleasure that merges with the infinite. It is the trance of shamans, the Samadhi of yoga, the experience of the Kingdom among the Christians and the Toltec Teowatia.

The role of ecstasy in the economy of consciousness, is to balance the duality overwhelming that we generated in the alternation of sleeping and waking. Children often enter there, all children know, if they can not express, that as adults many years we have difficulty understanding: that the real world lies not in what we see, but in the act to see.

In the majority of cases, we get to ecstasy only through the brief moments we enjoy an orgasm. The strength of this moment is such that most adult humans and animals spend their entire lives in pursuit. An orgasm is the entrance to Tamoanchan through Kolotl vital center at the base of the spine. But that is not the only entrance, an artist knows that you can also reach the ecstatic state with the center of the heart, and knows that that kind of experience is notably more intense and satisfying sexual surrender.

Although ecstasy is a natural state, only proposed meditators reach each and every one of our vital centers, thus accessing to experiences that, from the human point of view, we can only call divine. So it expands our base of experience and data, that the vision of the world inevitably changes. The stories of the sacred books like the Bible, the Vedas or the Popol Vuh, stop being capricious and myths become clear guidelines for the management of consciousness. At the same time, the mind is freed of superstition, dreams are filled with colors and there becomes a continuous adventure, full of exciting possibilities. Kinam

Within the object of meditation is not to pleasant experiences (Although this in itself is already a significant reason), but something much more refined. It happens that the moments of ecstasy are accumulated and are creating a parallel continuity to our personal history, which could be interpreted as the history of our dreams twice. At some point, this accumulation crystallizes, the double takes own life and once we get rid of the ominous subject to the ego. Since everything that dies when we die, is the ego, we can say that ecstasy is the gateway to immortality.

Author: Frank Diaz


This text is an excerpt from Chapter 8 Book: Kinam: the power of balance, which can be downloaded in pdf by following this link.

Image: Photomontage of María Villares from a photograph of a statue Xochipilli National Museum of Anthropology in Mexico

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From Tuva ... hear the voice of the earth

In Central Asia, a vast extension of steppe which extends almost continuously from Ukraine to the Great Wall of China, is Tuva, a small autonomous Russian republic located in the area of \u200b\u200binfluence history of the Mongols. Its capital, Kyzyl, claims the title of the geographical center of Asia. Outside this small administrative center lies a land populated by nomads and small rural communities in a world barren and harsh, with temperatures falling below 30 degrees in winter.

This bestial nature infinite and has been shaping since the days of Genghis Khan traditions of the people who inhabit it, a folklore transmitted almost exclusively oral mode among pastoralists. These traditions include the throat singing, a musical form the fruit of life in vast and lonely spaces. It is a type of song that is altered sound wave produced by manipulating the voice of the resonating cavities of the mouth and throat, making the singer a number of different notes sounding simultaneously.

Ethnomusicology is a fundamental connection between this type of singing and shamanism was practiced in ancient times in Tuva. This animistic believes that the spirituality of objects are found not only in form but also in their sound. Therefore, the edge of the throat looks and manages to emulate the water, birds, wind. For this reason singers also travel long distances to find places, a mountain or a particular river, in which his singing sound better.

to the farthest reaches of Tuva was conducted blind American bluesman Paul Penna for best kargyraa , the more serious form and deep throat singing I learned so self , which produces between four and six tones simultaneously. Penna was the first Westerner to participate in the Symposium Khoomei song dedicated to the throat and held every three years in Kyzyl, getting the prize in that category a feat chronicled in the amazing and fascinating documentary Genghis Blues .

If

was rare and difficult to reach this remote place to Paul Penna and his friends must have been equally difficult the other way. That led to the singer Sainkho Namtchylak to look for places where your voice sound better and freer, even beyond the borders of their native Tuva. Good knowledgeable of throat singing since childhood, was unable to develop a music career in his homeland due to limitations imposed by tradition women. So went to Moscow to continue his musical training, in then in jazz and experimental music while others continued their exploration of traditional music from Siberia. Then migrated to Central Europe, taking up residence in Vienna, where he began to develop more and more projects on his own where he mixes his musical roots with patterns and Western instruments and electronic synthesizers.

Listen to this: YOU ARE THE SHAMAN OF YOUR LIFE

His album Stepmother City , published in 2000, reconciles these items in a beautiful hymn to nature and spirituality. Combines in a unique way of ancient instruments like the Igil Tuva, the kurai or airing doshpuluur rhythms created electronically and soft synth pads, adding to all this a studio band formed by musicians from different countries and parts sampling different origins. The result of this amalgamation is balanced and beautiful, wise and deep fusion.

The album is a fabulous journey through an ancient world where nature and its creatures are constantly intertwined. Sainkho's voice covers a vast range of records, moving album along various landscapes and moods, from the festive Dance of Eagle which combines beautifully with the shakuhachi to introspection Order to Survive or singing mystical Ritual Virtuality. Sometimes flying high and ethereal spaces clear runs, then declined to places where her voice breaks into a thousand fragments of feeling bitter and intriguing. Is the transition from Old Melodie to the spectacular Lonely Soul when Sainkho seems to fall down and writhe torn and soul howls and change of form and becomes painfully to corner the listener's chest something very small and close to tears. Like its name, Boomerang finally throws us from that state traumatic magically into the vastness of nature again.

then heard the sound of water, the tributaries of the Yenisei majestic born in the mountains of Tanu-Ola. We hear the birds that cross the steppe unlimited speed or sense for a moment believe in the tundra-Nur Ubsu move to Leopard. And then the question arises, have we not heard all that already in the voice of Sainkho Namtchylak?

Original article: MODULAR PLANET

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Stop the world is to stop play. Nagual

When you stop, only an ATTEMPT.

feel reconnecting with the earth. Nosatraviesa energy up the spine, we are a channel, a shaft, a root.

is the same and not the same all the time. Losniveles vary in depth, there are many more colors, smells, textures, sensations.

life feels like something is continuamenterehaciendo delicate balance, sinuously. We are getting old

battles: the egos in the theater worldfor, looking all compete for the same role, for the same personajeprotagónico interpreted as different modes. All pronombrespersonales mathematically moving on a chessboard.

really are not one, or infinity, these are just queconceptos paradoxical and elusive. We can only access them by using rhetoric elvaivén of polarities. Living the life, death kill.

Stones do not have faces. An eye is an eye. Evoluciónhacia inside. Impossible old questions. The space is pure silence, mastodo screams.

would need to know to find the source at a time. Why quéescapamos a Dream another dream?

Why, when the time change back adarle rope? No where to go for shelter. We are exposed, we UNSENT total.

Revisit the positions of your "every day", all these gestosdetrás from which you hide and express how TUSER continually changing.

eyes are not what is outside but what's inside, losojos headlamps that illuminate a world that open a path.

When you look at someone, look deeper, there as black, to see if you find the spark that indicates whether you are awake.

Nothing to write, nothing to find, nothing to decode.

María Villares
Many Piedras, Spain, 2011.

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"The human being belongs to a group of ruminant animals, but grass instead of ruminating, ruminating ideas. The product of the digestive process we call culture. Sometimes when ideas are too thick, causing us embarrassment, and beliefs arise. There are religious, scientific, mystical, moral, philosophical .... A head full of beliefs can not View "

I

The human condition is a bridge. Its origin is the development of animal nature and destiny, the manifestation of the nagual.

Through practice, the sum of experiences and states of consciousness experienced by the individual can crystallize in the nagual. The nagual is a self-conscious entity, capable of acting without the support of the physical body. Properly trained, says the highest attributes of consciousness.

The nagual can train through the cultivation of memory and sleep. Memory must be able to remember the birth itself, the dream should be as controlled as the vigil.

The first phase of training is to put nagual so tame tasks such as finding objects or track information. The second stage is to soak in the wealth of experience of cosmic energy, to acquire knowledge. The third phase is to tune it to address challenges of the upper world, which are becoming aware of themselves and monitor their reactions and develop their communication skills, predation and detachment. The fourth stage is to undertake the liberation of all beings, as a condition to take the free flight of perception.

On the subject of such experience, the development stages of producing nagual states of awakening, enlightenment, vision and deliverance. Who's awake breaking the psychological limits of sleep and wakefulness, unifying its perception. Enlightened is one who understands that mental processes do not describe the world, but the recipient. Seer is one who strengthens its perceptual capabilities so that you can see directly the flow of energy. Liberated is the one who emancipated their perception of dependence on vehicles and facilities.

II


As human form, we are free to perceive all that is humanly possible. As terminals of cosmic energy, we release the perception of the conditioning of vehicles and facilities. That is our real power and ultimate purpose of our existence. Free

perception does not mean ceasing to perceive, but quit through the mold of the human form. The significance of the human form is achieved by diluting the experiential intensity of the nagual.

By overcoming its challenges, the nagual breaks the suggestion of the senses, emotions and mind, learning to move and be conscious and volitional conditions beyond time and space. Does not depend on the vehicles and facilities to perceive, is not susceptible to fraud or error. Lacking a body with which to die, is immortal and lives forever.
overwhelming
By their nature, the nagual absorbs and transmutes synthesized attributes of human beings which thereby becomes a god. The state of consciousness is awakening nagual absolute reach those who are creators of their own destiny. To

given a kingdom to the extent of his divinity, the nagual created a world through the display, embodied in His creatures and designed the plan civilizing of feathered serpents. As nagual of the Universe, the Feathered Serpent received the title of Prince of Transformations.

Frank Diaz
http://frank-diaz.info/
http://www.templotolteca.com

cultures Researcher Anahuac (ancient Mexico.) Cuban national. Pursued graduate studies in Physical Anthropology, Cultural, and Legal Linguistics at the Academy of Sciences of Cuba, the College of Arts, the Office of the Historian of Havana City and in a audotidacta. Since 1998 lives in Mexico, where he specializes in science and theology prehispanic Tolteca. After investigating various spiritual traditions of the land, such as Theosophy, Rosicrucian AMORC, Baha'i Faith, Self Realization, Zen Buddhism and Yoga Ananda Marga, found in the Toltequidad Nagualismo and answers to key questions.