In Central Asia, a vast extension of steppe which extends almost continuously from Ukraine to the Great Wall of China, is Tuva, a small autonomous Russian republic located in the area of \u200b\u200binfluence history of the Mongols. Its capital, Kyzyl, claims the title of the geographical center of Asia. Outside this small administrative center lies a land populated by nomads and small rural communities in a world barren and harsh, with temperatures falling below 30 degrees in winter.
This bestial nature infinite and has been shaping since the days of Genghis Khan traditions of the people who inhabit it, a folklore transmitted almost exclusively oral mode among pastoralists. These traditions include the throat singing, a musical form the fruit of life in vast and lonely spaces. It is a type of song that is altered sound wave produced by manipulating the voice of the resonating cavities of the mouth and throat, making the singer a number of different notes sounding simultaneously.
Ethnomusicology is a fundamental connection between this type of singing and shamanism was practiced in ancient times in Tuva. This animistic believes that the spirituality of objects are found not only in form but also in their sound. Therefore, the edge of the throat looks and manages to emulate the water, birds, wind. For this reason singers also travel long distances to find places, a mountain or a particular river, in which his singing sound better. to the farthest reaches of Tuva was conducted blind American bluesman Paul Penna for best kargyraa , the more serious form and deep throat singing I learned so self , which produces between four and six tones simultaneously. Penna was the first Westerner to participate in the Symposium Khoomei song dedicated to the throat and held every three years in Kyzyl, getting the prize in that category a feat chronicled in the amazing and fascinating documentary Genghis Blues .
If
was rare and difficult to reach this remote place to Paul Penna and his friends must have been equally difficult the other way. That led to the singer Sainkho Namtchylak to look for places where your voice sound better and freer, even beyond the borders of their native Tuva. Good knowledgeable of throat singing since childhood, was unable to develop a music career in his homeland due to limitations imposed by tradition women. So went to Moscow to continue his musical training, in then in jazz and experimental music while others continued their exploration of traditional music from Siberia. Then migrated to Central Europe, taking up residence in Vienna, where he began to develop more and more projects on his own where he mixes his musical roots with patterns and Western instruments and electronic synthesizers.
Listen to this: YOU ARE THE SHAMAN OF YOUR LIFE
His album Stepmother City , published in 2000, reconciles these items in a beautiful hymn to nature and spirituality. Combines in a unique way of ancient instruments like the Igil Tuva, the kurai or airing doshpuluur rhythms created electronically and soft synth pads, adding to all this a studio band formed by musicians from different countries and parts sampling different origins. The result of this amalgamation is balanced and beautiful, wise and deep fusion.
The album is a fabulous journey through an ancient world where nature and its creatures are constantly intertwined. Sainkho's voice covers a vast range of records, moving album along various landscapes and moods, from the festive Dance of Eagle which combines beautifully with the shakuhachi to introspection Order to Survive or singing mystical Ritual Virtuality. Sometimes flying high and ethereal spaces clear runs, then declined to places where her voice breaks into a thousand fragments of feeling bitter and intriguing. Is the transition from Old Melodie to the spectacular Lonely Soul when Sainkho seems to fall down and writhe torn and soul howls and change of form and becomes painfully to corner the listener's chest something very small and close to tears. Like its name, Boomerang finally throws us from that state traumatic magically into the vastness of nature again.
then heard the sound of water, the tributaries of the Yenisei majestic born in the mountains of Tanu-Ola. We hear the birds that cross the steppe unlimited speed or sense for a moment believe in the tundra-Nur Ubsu move to Leopard. And then the question arises, have we not heard all that already in the voice of Sainkho Namtchylak?
Original article: MODULAR PLANET
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